|
|
AIG EQUIPMENT REVIEWS
“And turning to that excellent tuner, it brought in more digital stations from my outdoor antenna (the switch to all digital had already happened here in Ontario, so no analog signals were available) than my Zenith off-air tuner, and the extra input also proved useful for monitoring off satellite when watching off air on the big screen, as well as for monitoring recordings to DVD or hard disc on my LG DVD video recorder. So checking out the VMB070 for analog reception will have to wait until next Summer.”
“I’ve admired and owned ZOOM products for a few years now, both H4 and H2 passing through my studio and out into the field. Those reviews have already been published, and this Japanese company has now taken over its own worldwide distribution of its newest products…”

“This player was very impressive right out of the box, especially with Blu-ray music discs, with a truly photographic picture that is yards ahead of my Samsung 10″ DVD portable, which died on me a couple of years ago. The first generation Blu-ray portables proved to be very expensive, as were the early DVD ones (I paid $1500 for my first Panasonic), so I waited a bit on this one, finding the BDP-SX1000 on eBay at prices from $288.88USD (what I paid) to well over $500…”

“The latest Model 10 also comes with a credit-card remote control that allows selection of the 5 presets, level and input control, and station scrolling. There are also Power, Mute, and Mono buttons. The preset buttons are duplicated on the left speaker rear panel, in case you lose the remote, and there is also a volume control on the top of the speaker/amp unit. The FM antenna connection is a 75-ohm screw terminal, and an adjustable stainless steel telescoping antenna is provided to attach to it. The FM presets are set by holding down the desired preset button for 2 seconds with the intended station tuned. The system also operates as clock and clock radio, showing too the date and day (just like your Rolex)…”
“Headphones are hot these days. And, like much of the rest of the high end, headphone prices have been smashing through one upper price threshold after another. It was not very long ago that a $1,000 pair of headphones was exceedingly rare, the purview of Stax and a scant few other esoteric models. These days, when shopping at the upper end of the spectrum anyway, a grand is more like the starting point, with plenty of models in the fifteen hundred and up range…”
“I had been wanting to try a pair of custom in-ear headphones for some time, but when I started reading online about the JH Audio headphones, including not only some rave reviews but some background on their pro audio and aviation background (the Company is named for its founder, Jerry Harvey who not only founded Ultimate Ears [he left the company in 2007] but started developing stage monitors for musicians back in 1995 while mixing live shows for Van Halen, K.D. Lang, The Cult and many other bands…”
“I used to listen to shortwave radio at the cottage on a nice little Panasonic portable, the supplied antenna strung around the cottage’s Douglas Fir beams. It was fun more than a few years back to tune into other cultures and their music and news. But along the way to this century something changed, even evolved, and the shortwave cultures became a babble of propaganda, Jesus, and jabberwocky…”
“In all my years as an audiophile I’m hard pressed to think of a piece of equipment that has had the kind of effect on my daily life that the Ultimate Ears Triple.fi 10 Pro headphones have. Certainly the timing is right, as I find myself commuting between Toronto and New York every week, and through midtown Manhattan to and from work on foot every day. I’m probably logging somewhere in the neighbourhood of seven to ten hours a week on the iPod with these things right now, and I’m loving them…”

“A combined CD and DVD player, AM/FM receiver and sound system in a single convenient unit.” So says the introduction to this remarkable little AV system. Remember the aptly named “Boombox”, which was to be seen perching on the shoulders of urban youth? These moulded plastic monstrosities were often played at levels which caused grief to nearby unwilling listeners, as well as causing permanent hearing damage to the carrier…”

“As far as audio performance is concerned, let’s start at the microphone preamps, first, with the internal 4-microphone array. Now that the SD card slot is at the far end of the recorder from the mikes, the low-level whine of the H4 is gone, and the preamps are dead quiet; I can hardly wait to get to the island and set it on the rock at night to pick up distant loons. In combination with the built-in electret capsules this recording array is easily the quietest electret system I’ve heard yet, and matches my Shure VP-88 stereo condenser mike in this regard…”
“The TASCAM HDP2 represents the future of location recording in as cogent and well-thought out a way as I have seen. It’s simple, elegant, and affordable, but also versatile. The main selling point is the ability to record in stereo from 44.1 to 192 kHz sampling rates at 16 or 24 bits using line or microphone inputs onto solid state media: flash cards or microdrives. These capabilities bring to it a whole new set of possibilities and operational options…”
“Of the myriad accessories now available for portable music players, and specifically iPods, only a tiny fraction have anything to do with improving sound quality. If you want to hear more from your portable it pretty much comes down to headphones and headphone amplifiers. Designed to drive the cheesy white earbuds that come with the thing, the headphone amplifier in an Ipod isn’t quite up to the task of driving the more difficult loads presented by less sensitive, larger, sealed or open-back type cans like the big Sennheisers and AKGs…”
“This “handy” little unit does so many things that any review will have to be selective, and I will concentrate on its stereo portable uses, as well as its non-portable ones, leaving the admittedly limited multichannel capabilities for a followup, or perhaps another reviewer. My interest in it, which made me purchase one, is the portable recording capability, especially in high resolution digital…”
“These three classic recorders epitomize the European approach to high quality portable recording, and all have been used extensively as professional tools, each finding its level of quality and individual expertise. The Nagra has been the acknowledged giant of the film business where high audio quality is concerned, and its ruggedness and reliability are legend, no matter what the temperature or other weather conditions. All this came at a considerable cost in its heyday, a fully tricked out IV-S running to 6 or 7 thousand dollars. And that time period lasted longer than that of any other portable professional recorder except the Uher, and rivaled that of the great studio Studer and Ampex machines.”

“If only the other bleary-eyed, white-earbud-using subway riders knew how good I have it with headphones like these. Not only am I being spared the concerto for shrieking brakes and deafening track clatter by the Superfi’s 26 dB of isolation, I’m enjoying fantastic sound; Sound that, until recently, had absolutely no business coming from such tiny headphones…”

“Just in case you somehow hadn’t noticed, portable audio is hot. White hot. Ipod white. The Ipod has become the Sony Walkman of the 21st Century and gained a cachet and ubiquity in popular culture unrivalled perhaps by any piece of audio equipment ever invented. Ipods are now the object of enough consumer lust that they can actually be dangerous to their owners…”

“More than just a headphone jack (the Indigo actually has two 1/8″ gold plated mini jacks) the Echo Audio card is a D to A converter as well as a high quality analog output stage. It supports up to 24 bit, 96 kHz signals, uses a 100 Mhz Motorola DSP chip and has a nice, chunky analog volume control knob right on top. For those looking to use their notebook as a recorder, Echo also makes an Indigo with an analog input as well as a model aimed at DJs, featuring two independent stereo outputs.”

“Like most of the first wave of MP3 players to hit the market, the RCA Lyra is a very compact portable device, smaller than most cell phones, aimed at dethroning the discman style CD player from portable supremacy. Whereas some portables, like Creative Labs’ Nomad, use computer style hard drives for file storage, the Lyra falls into the smaller, less expensive category of players using small, removable chip based memory cards…”
|
|