“Marantz is unique, as far as I know, in offering both SACD and DVD-A players, the DV-12S1 and the SA-12S1. Both play video DVDs, but unlike Pioneer’s Elite DV-47a neither will play both digital audio formats. Instead of a universal player, here we have not-quite-identical twins..”

“I reviewed this DVD-A player in the Winter of 2000 (Vol. 19 #3), and had some high praise for the sound quality of the DV-AX10 heard through its companion C-AX10 digital preamplifier. However, that early sample had no analog output, and recognized but did not output sound from SACDs. Well, now we have the production model of the AX10, and it’s impressive not only as an audio player, but as a video one…”

“Last spring I spent some time with Arcam’s Diva DV88 DVD player (Spring 2001, Vol. 20 #2), and was impressed by its S video output, but less so by its non-progressive component output picture. Now we have in front of us the FMJ range player with progressive scan output, which is said to offer superior audio performance as well. It plays CD-Rs, Video CDs, and “some MP3 audio files”, according to the manual, as well as decoding HDCDs…”

“There are those who still debate the merits of (or need for) higher resolution digital formats, but I am not one of these, having mastered numerous CDs over the past few years on my 96 kHz DAT recorder, and having also worked at 192 kHz on occasion. The real question is whether two currently incompatible hi-res formats can coexist and find an audience that is large enough to sustain each format…”

“Here’s a system designed and assembled in Canada, though the origins of the components lie far to the east. Since being bought by Lenbrook Industries, NAD has done all product development at its international headquarters in Pickering, Ontario, while PSB loudspeakers are designed by founder Paul Barton and his team in the same facility…”

“Until recently it seemed that things in the world of digital audio were getting a bit simpler (save for the confusion and complexity associated with the ongoing rollout of DVD-A and SACD). After a long period in which outboard DACs and various other little boxes tasked with eliminating digital jitter were de rigueur for any serious digiphile, the last few years have seen a return to prominence of the single box CD player, and even very good sounding single box DVD/CD players…”

“Things get complicated. Especially home theater receivers. I recently gave up in frustration on an HT receiver review because I simply could not make it work! And I’m the guy who takes pride in never having to read the manual…hey, I’m a reviewer, I know how these things work, trust me.

“These days movies get made in 6 months, often in 6 weeks, and the phrase, “years in the making” hardly applies any more. However, it can refer to the design and manufacture of today’s digital home theatre processors, or, at least, the high end ones. For the past 3 years my first question to at least three Canadian electronics manufacturers has been, “How’s your A/V piece coming along, eh?”

“The newest additions to the small and cute TEAC Reference Series, the DV-H550 and AG-H550 bring compactness to full-featured home theatre. The former plays DVD, CD, CD-R/RW, Video CD, and MP3 discs, and has 96/24 stereo DACs, as well as outputting Dolby Digital and DTS. It uses 10-bit, 27 MHz video DACs, and has a digital picture zoom function, and has composite, S, and component video outputs…”

“While a myriad of MP3 players have been unleashed on the market in the past year, the Audio ReQuest ARQ-1 distinguishes itself as the only one designed exclusively as a home audio component. This could mark the genesis of a significant new product category, and an important test of whether consumers are ready to embrace MP3s in a domestic environment…”

“The Delius and Purcell do a few numbers together, too, specifically 192 kHz and 24 bits: the latter is a sampling rate converter (see our last issue’s look at the Assemblage SRC and DAC and MSB 96K DAC)), which takes any digital signal and either up- or down-converts it, while also altering the bit rate up or down. Most commonly, these processes will be of the up variety to take a 44.1-kHz/16-bit signal up to 96/24, or even 192/24, in the process able to introduce noise shaping and dither to further refine…”

“Visually identical to its predecessor and very handsome indeed, is the Sunfire Theater Grand Processor II. However, it’s not identical inside, with a streamlined circuit architecture that shortens signal paths and reduces the number of circuit boards. It’s also easier to use, with most operations performed in one setting of the remote control, that for Amp…”

“Intended to beat obsolescence by being both versatile and modular, the Myryad home theatre system offers whatever combination of 2- and 3-channel amplifiers you need, with a processor that can accommodate up to 7 channels plus subwoofer. The MDP500 provides 9 stereo analog inputs with an additional 7.1 (8, in fact) set for DVD audio or any other format that might come along…”

“Fortunately there’s nothing non-descript about the sound of this player. Impressed at the very outset by its smoothness and musicality I listened casually to the 951 for a couple of weeks to ensure that it was completely broken in before making any notes or comparisons. Even during this stage it was abundantly clear that this was a lot more CD player than $600 was supposed to buy…”

“There’s been both misunderstanding and skepticism about the process of upsampling digital data. In recent months several DACs have appeared which do this data interpolation and bit creation, which is said to provide better sound by creating a 96-kHz/24- bit signal from a 44.1-kHz/16-bit source…”

“Redgum is an Australian hardwood that, when finished in a glowing lacquer as on this company’s products, looks stunning. It’s used for the faceplate of both the amplifier and CD player, the latter flipping down to reveal controls and disc drawer. Redgum audio is an Australian company(obviously), based in suburban Melbourne, which makes amplifiers and CD players….”

“Initial impressions indicated that the family resemblance between the 991 and the 951 was strong, with the former being more musically inclined than its smaller sibling. With a head for detail the 991 came off sounding more refined, making the 951 sound a touch coarse by comparison. Both players sound quite laid back and very smooth, but direct, level matched comparisons confirmed that the 991..”

“The TEAC RW-800 has a single tray, recording entirely from external sources, but unlike many other double decks has some interesting features of its own, including microphone inputs on the front panel with their own level controls beside the 1/4″ input jacks. Analog line (RCA) and Toslink and coaxial (RCA) inputs and outputs are provided on the rear panel…”

“First, let’s look at a common misunderstanding: upsampling is not oversampling. In the case of the latter process, data is multiplied, sometimes with interpolation algorithms operating to provide data that looks more complete and can be better decoded to analog; however, that data is still going into a 44/16 DAC, so a good deal of the oversampling is, in my view, wasted…”

“I think the product names of this company from England are an inside joke about talking about the weather. But, as I joked myself to distributor Angie Lisi the other day, they’re unlikely to call a product, the Downpour or the Monsoon…the Tempest, maybe, with its Shakespearean implications. At the moment they’ve covered Storm, Hurricane, Tornado, Whirlwind and the other meteorological phenomena noted above. How about the cold spring this year, eh?..”