“If you do a lot of commuting, and/or like to use your computer listen to music at work, the folks at HeadRoom have your number. I myself fall into this group, and while my commute might vary quite a bit job to job (the film business is not for those who prize consistency and predictability) I listen to music at work as often as I can. A couple of years ago I reviewed the Echo Indigo laptop sound card, a device which will fit just about any laptop and offers two 1/8″ mini outputs to drive headphones or powered speakers…”

“The real jewel of the system is the remote, or as Sonos calls it, the Controller. Ipod owners will be immediately comfortable with the Controller, the 3.5 inch full color screen and scroll wheel menu system making it feel very much like a large Ipod turned on its side.”

“To many the very idea of a high-end home theatre in a box may seem like an oxymoron, but that’s exactly what renowned British loudspeaker maker KEF has set out to do with the Instant Theatre. At first glance it looks dangerously like a “lifestyle” product, and I suppose that in the minds of marketers and retailers it most certainly is, but it’s important to remember that we’re dealing with a company that has produced more than its fair share of high-end, and highly regarded, loudspeakers since its founding in 1961…”

“Like the Creative Soundblaster Wireless Music system the SoundBridge is a digital link between your audio system and your computer, designed to stream audio files over a home network. Unlike the Soundblaster the SoundBridge can do this wirelessly or via Ethernet connection and features a large display right on its face instead of on the remote…”

“I don’t think I ever expected to get my hands on a piece of audio equipment as fine as this. In fact, there aren’t many as good as this. When it comes to the cost of an audio component (or anything else, for that matter) I want only value for money. But that is not as easy as it sounds and, one must be cautious, a bargain isn’t necessarily value for money…”

“Occupational hazards are minor and few when it comes to reviewing audio equipment. Perhaps one of the most common occurs when a product under review is updated by the manufacturer during the review process. This scenario played out before I could finish with Bryston’s BP-25 DA preamplifier, the fully loaded version of the venerable BP-20 series with its own built-in digital to analog converter…”

“The Statement D1 is among the most expensive home theatre processors in our experience, but offers just about every imaginable feature, as well as exceptional build quality. It will take much of this review just to outline its complement of capabilities. As their brochure claims, it is “nine high end components in one”: “preamplifier, 24-bit/192 kHz precision upsampler, analog-to-digital converter, digital-to-analog converter….”

“More than just a headphone jack (the Indigo actually has two 1/8″ gold plated mini jacks) the Echo Audio card is a D to A converter as well as a high quality analog output stage. It supports up to 24 bit, 96 kHz signals, uses a 100 Mhz Motorola DSP chip and has a nice, chunky analog volume control knob right on top. For those looking to use their notebook as a recorder, Echo also makes an Indigo with an analog input as well as a model aimed at DJs, featuring two independent stereo outputs.”

“This is the kind of product you’re likely to start hearing more and more about in the coming years as computers make greater inroads into home audio. If it hadn’t been clear already, the success of Apple’s Ipod and Itunes player/music store have driven home an unmistakable trend: Commercial music is not going to be bound to a physical carrier forever, and there is already a large and growing group of people listening to their music as files on computers and portables instead of on little silver discs…”

“I can remember this brand in the days of quadraphonic sound for their monster receivers; they weren’t alone, as companies like Marantz, Akai and others also offered giant 100-pound-plus receivers in the 70s. It was, I guess, rather like all those muscle cars during the same period (is history repeating itself?)…”

“This new receiver is striking right out of the box because it abandons the traditional and conservative NAD style that has changed little over the years, 30 in all. According to a white paper issued by the company, “Because the L70 is a DVD receiver, some people might be tempted to try to squeeze it into the rather crowded `Home-Theatre-in-a- Box’ category…”

“Like many manufacturers, Bryston has quickly moved to update its SP1 (Spring 2001, Vol. 20 #2) home theatre processor to accommodate the new surround formats and processing options, including Dolby Pro Logic II (Film & Music), DTS NEO:6, and THX Surround EX. There are also these DSP listening modes: Stereo5, Party, Hall, Stadium, Club, Theatre, Church, and Natural; in my view, all but the last of these should be ignored…”

“These days, when one sees the name Aragon, visions of The Lord of the Rings come to mind. But, then, that’s Aragorn. Still, looking at the blue streams of light that seem to shine from deep inside the front panel of these handsome home theater components, one does get a sense of the mystical and the magical. I was captivated by this look the first time I saw the Aragon gear at the Festival du Son last March…”

“Synthesis is an Italian company that, like many firms in that country, makes beautiful things. Theirs do not happen to be cars, or fashions, but high fidelity components. And there seems to be a certain sense of style in their product names, too…”

“I’ve argued that unless all DVD and SACD players are like this one, both formats will fail, or at best limp along for a few years like SQ surround sound did. The DV-47A combines both DVD-A and SACD multichannel capability, going a step beyond our reference DV-AX10, which offers only stereo SACD reproduction…”

“Since audio reviews generally rely heavily on comparisons, and, more specifically from the cataloguing of differences gleaned from such comparisons, this review might be a little shorter than usual. You see, the products in question here are similar in more ways than any two I’ve reviewed before…”

“In our last issue we profiled one of the less expensive Sony SACD players, and here we offer a look and listen to the big kahuna, the Sony with no baloney, the ES statement in SACD multichannel. The single-disc SCD-XA777ES, like our reference Pioneer Elite DV-AX10, has 6 independent DACs rather than the single or double chips found in many DVD or SACD players…”

“So much for entry level. With a combined price approaching seven grand, not to mention 7.1 surround channels on tap, “small” was no longer part of the equation. Now I needed speakers. Lots of speakers, as it turned out. Ever since hearing that Edge Audio was one of the first adopters of the Diaural crossover developed by Kimber Kable I’d wanted to review their speakers. A trip to their website revealed two things: First, that they had changed their name to Aperion Audio, and second that they had packaged systems ranging up to 7.1 channels: Just what the doctor ordered…”

“I first encountered this DVD-A player at an all-day Audio Engineering Society Toronto chapter seminar on the new digital audio formats near the end of May. It was used for DVD Audio playback in demonstrations of the new format, as was a Pioneer DV-38A review sample that I provided…”

“We’ve already looked at Arcam’s FMJ DVD player (Almanac 02), and here we have their best offering for 2-channel folks, the CD23 and the A32. Both are cleanly styled in silver and grey, with a long thin remote with a lot of small buttons that are grey on grey. In fact there are two, one for each component, that for the player also able to operate the DV27…”