“The Clearaudio Concept is a solid chassis design, with spiked feet, an attractive brushed aluminum band surrounding the black chassis. The tonearm is called the Verify, and is a unipivot with a magnetic bearing for very low friction, while the Classic cartridge is a quite high-output moving magnet type with a very naked, seemingly non-replaceable stylus…”
“I installed the DV-20X H in a SAEC headshell, and with its real weight and tracking weight being very close to that of both the Ortofon MC-3000II and the Kontrapunkt b, I could easily swap it in and out of the arm for comparisons, though its much higher output than the former necessitated substantial level reduction to match. The cartridge comes in a clear plastic box, with a set of colour-coded leads, a nice broad white-bristle stylus brush, and screws and bolts…”
“I suppose this, the least expensive Clearaudio phono reproduction package, could be said to epitomize the company’s approach. Everything is acrylic except for tonearm, cartridge, and platter bearing. If not completely clear, the turntable is definitely translucent, and mechanically very simple for a record reproducer…”
“The first series of cartridges named after a Bach theme, that of the Contrapunctus XIX where the composer’s name appears in the upper voice at one point, the Kontrapunkt a and b kartridges (If Linn can do it, so can I!) are based on the previous Jubilee series of more expensive models, and before that the MC-3000 to MC-7500 top models…”
“There don’t seem to be too many players in the phono cartridge game any more: Audio-Technica, Ortofon (no longer distributed in Canada), Linn, Shure, sort of with a recycled V-15 V, and who else? Well, Grado has gone public by announcing not one, but three ranges of new models, truly anachronistically ambitious for such a small company…”
