“The new subwoofers from this company are relatively small, though the S12.3 is larger than the new Paradigm Seismic 12 with a similarly-sized driver (The Paradigm Seismic 12 is also reviewed in the Fall 2004 issue). The S12.3 comes in a black ash finish with a black grille cover, a volume control with a bright blue LED below it at the top of the front panel showing through the grille cover…”

“The Iliad system has been demonstrated many times at shows over the past couple of years, to some extent playing second fiddle to the company’s seat-shaking Odyssee programmed deep bass enhancement system. But on the several occasions I’ve sat down and vibrated, I’ve noticed that the overall heard sound was pretty impressive and powerful too. D-Box has always been a subwoofer company, and readers may recall our cover-story review of the mighty Mammoth (Almanac 98, Vol. 17 #3)…”

“Every speaker maker is excited to introduce a new flagship model, and PSB’s Paul Barton is certainly no exception, since all he and his engineering staff know about speaker design has gone into this project. The M2 is the bookshelf model in the Platinum series, which now rests above the Stratus line in the PSB pantheon. The new S10 subwoofer is the biggest and most powerful low frequency reproducer that PSB makes…”

“The C5 is a slim tower with outrigger spiked feet to support its slim profile, with a very handsome silver front baffle containing 3 custom designed and integrated drivers and a flared port at bottom. “The silver front baffle is also the woofer’s basket section, and integral part of the speaker enclosure and the speaker system. Comprised of Energy’s proprietary Spherex®, the baffle is computer designed to enhance dispersion and strengthen the cabinet structure…”

“Even with a new sleek box shape, the Signature S4 looks unmistakably Paradigm. I guess it’s the drivers, designed and made in house. The tweeter is, like all the other drivers, a totally new design especially for this top-of-the-line series. It’s a 1″ “G-PAL gold-anodized pure aluminum dome” with “dual super neodymium ring magnets. Ferro-fluid damped/cooled”, its rear wave feeds into a chamber with finned heat sinks, and the die-cast basket is shock-mounted to eliminate any vibration beyond that of the dome itself…”

“I first heard this system, Totem’s first dedicated home theater system, at a CEDIA show a couple of years ago. And it wasn’t just that designer Vince Bruzzese was playing Ray Montford’s music through it that impressed me so much. The sound was clean, dynamic, spacious, and very involving musically. I don’t know whether it was a case of demand, but it wasn’t until this spring that I could coerce a review sample out of Totem…”

“When Anthem sent me their AVM-20 and PVA-7 home theater separates for review awhile back, Paradigm, Anthem’s parent company, followed up by sending a set of home theater speakers to go with them. And what did they send to complement over $6,000 worth of home theater front end? Paradigm’s entry level Cinema series, as it turned out; the five speakers and sub costing a small fraction of the gear driving them…”

“This new model from Canada’s ribbon specialist, combines an 8″ ribbon driver with a pair of 5″ Vifa mid/woofers in a moderately sized sealed box. The ribbon, which could be called a “quasi-ribbon”, is a unipolar mylar diaphragm with voice coil imprinted on it, large magnets on either side, and absorptive material behind. It provides, wide, even dispersion, something I’ll expand on in discussing the measurements, and crosses over to the lower-frequency drivers at 1000 Hz…”

“Uninterruptible Power Supplies (UPSs) have become a part of computer operation over the last few years, and have probably prevented data loss in many instances of power interruptions. Here we have the next stage of evolution, the Audiophile Power Supply, this one the largest and most expensive model in a line of three, with further variations in battery power also available…”

“Like many manufacturers, Bryston has quickly moved to update its SP1 (Spring 2001, Vol. 20 #2) home theatre processor to accommodate the new surround formats and processing options, including Dolby Pro Logic II (Film & Music), DTS NEO:6, and THX Surround EX. There are also these DSP listening modes: Stereo5, Party, Hall, Stadium, Club, Theatre, Church, and Natural; in my view, all but the last of these should be ignored…”

“The SST series of amplifiers is a not unexpected development after the introduction of the 14B and the 6B 3-channel amp, both of which used new Motorola output devices of greater linearity and wider optimum operating range to minimize both distortion (particularly crossover distortion) and transient speed The SST series also has, according to Bryston’s white paper, “doubled filter capacitance for even deeper and better controlled bass…”

“Athena started out as a research project headed by the NRC (National Research Council) into speaker performance in which Audio Products International (API) was heavily involved, along with other Canadian speaker manufacturers. I guess it seemed logical for Ian Paisley, research head at the company to name its new brand thusly…”

“So much for entry level. With a combined price approaching seven grand, not to mention 7.1 surround channels on tap, “small” was no longer part of the equation. Now I needed speakers. Lots of speakers, as it turned out. Ever since hearing that Edge Audio was one of the first adopters of the Diaural crossover developed by Kimber Kable I’d wanted to review their speakers. A trip to their website revealed two things: First, that they had changed their name to Aperion Audio, and second that they had packaged systems ranging up to 7.1 channels: Just what the doctor ordered…”

“There are a lot of excellent speakers in the price area below $1500, but few that qualify as high end reproducers. But here I think we’ve definitely got a contender. The Reference 1 is a small tower speaker finished in a nice blonde veneer, using a SEAS silk dome tweeter, the pair mirror offset arrayed on the baffle, and a surprising 4 1/2″ Peerless woofer midrange…”

“Here’s a system designed and assembled in Canada, though the origins of the components lie far to the east. Since being bought by Lenbrook Industries, NAD has done all product development at its international headquarters in Pickering, Ontario, while PSB loudspeakers are designed by founder Paul Barton and his team in the same facility…”

“After having worked through reviews of Anthem’s Pre 1L phono stage and Amp 2 hybrid power amplifier, I’m finally getting around to writing about their Pre 2L line level preamp. Like the other separates in the Anthem line, the Pre 2L is a big, stylish, slightly retro looking, silver faced piece of gear (also available in black) with tubes at its heart and value on its mind…”

“If power corupts, and absolute power corrupts absolutely, then I guess I’d better watch myself as long as I have the 14B ST in my system. The traditional Bryston spec sheet (measured specs) shows on the left channel 573 watts at 8 ohms and 560 on the right, all distortion figures under .005%, and noise at 114 and 112 dB, left and right, respectively. And all this power is in one 85-pound chassis with a bright silver faceplate. …”

“Having updated its Reference series of speakers, Paradigm has now turned to the Monitor series, and the Monitor 7 v2 is perhaps the most popular result. It’s a floorstanding slim tower featuring a pair of 6 1/2″ poly-coned woofers with an improved aluminum alloy dome tweeter. The grey baffle remains, but finish around it in our review pair was an attractive cherry laminate that is very veneer-like, and much nicer than most vinyls in its softer sheen…”

“These days movies get made in 6 months, often in 6 weeks, and the phrase, “years in the making” hardly applies any more. However, it can refer to the design and manufacture of today’s digital home theatre processors, or, at least, the high end ones. For the past 3 years my first question to at least three Canadian electronics manufacturers has been, “How’s your A/V piece coming along, eh?”

“…a re-recording mixer hopefully gets involved in a film project at an early stage, say, just before they start shooting, just so that everyone knows what has to be delivered in the end…whether its a Dolby Digital print, or DTS, or maybe just straight to video, whatever. So, from that initial point of contact you talk about all these final format things, and if it’s a really well organized production, you would interface with the production sound mixer, and make sure they’re working in a format that would suit the dialogue editorial process later on…”