“Those jam sessions encompassed a “Who’s-Who” of Jazz at that period. The loft, where Hall Overton had installed pianos and drum kit, became an after-hours magnet for local and touring musicians. Regulars included: Zoot Sims, Charles Mingus, Roland Kirk, Jim Hall, Bill Evans, Bob Brookmeyer, Jimmy Giuffre, and Steve Reich. Visitors: Doris Duke, Norman Mailer, Salvador Dali, Bob Dylan, Robert Frank, Diane Arbus, and Henri Cartier-Bresson. Smith recorded and photographed everything until 1965…”

“I rode my first train in 1950, give or take a year. Harry Patterson was taking his two sons, Jim and Will—childhood friends— and me, fishing on the “Little Mississippi” just north of Kingston. This was a half-hour or less by car, but as he did not drive, we took the Canadian Pacific train from the downtown Kingston station.This was in fact the old Kingston-Pembroke Railway: what was affectionately—or otherwise— known as “The Old Kick and Push”…

“The Guarneri String Quartet (so named because of the instruments they play - Guarneri was a rival of Stradivarius in 17th Century Italy) were for many years the “house” quartet of RCA/BMG/Sony in its various iterations over the years. They were responsible for recording a substantial chunk of the conventional string quartet repertoire. Now, 45 years after their founding, they have decided to retire, and Sony has done them proud by re-releasing a great deal of the music they recorded over their long career…”

“John Edward Bain is a photographer, music lover, and guitarist, and a frequent correspondent to yours truly about these matters and others of mutual interest. Our paths first crossed in Kingston Ontario as part of the folk scene there in the mid 60s. He plays, in his own words, “folk and blues: what John Fahey coined ‘American primitive Guitar’”. He now lives in Halifax with his wife Colette, “in quiet and somewhat reclusive retirement, surrounded by books, records, musical instruments, and cameras.” This is his first blog for AIG, combining music and book reviews, insights into the lute, and interesting related links…”

“In my original review of this turntable cartridge combination I said the results were pleasing but, but I thought that going for the more costly Ortofon Kontrapunkt B cartridge would offer better value for money. In the event, I was dead wrong. I tried to like the 2Xperience-Rondo Blue. It was so nice to spin some vinyl and hear some old favourites again. But, the longer I listened the closer I came to realizing that the sound just wasn’t as good as it should be…”

“What a feast for Python fans! Starting with a contextual look at the Python origins, and followed by interviews with members, this series is utterly riveting, even going right back to my undergraduate idols, The Goons, led by Peter Sellers. It was the wild and surreal radio antics of The Goon Show that inspired the first Pythons. They bridged the gap from the unseen and imagined to the visual craziness that amazed and entertained British viewers while mystifying and enraging BBC programming executives…”

A couple of experiments with interconnects has led me to a discovery. The connectors at either end of the IC have a “sound”. I will explain but first, let us agree that interconnects have an effect on overall sound and that different ones can change the way a system sounds. Usually it is a slight change, but a change nonetheless. As obvious as this seems now, there was a time when I didn’t believe such a thing was really important and that paying hundreds of dollars for a pair of interconnects was outrageous. I still think that the price asked for some interconnects is outrageous…”

“You ain’t heard Money For Nothing until you’ve heard it in 5-channel bedlam! There’s so much going on in the mix that it just picks you up and grabs you by the balls…it’s loud, it’s rude, it’s fantastic! And it’s my favourite crank-the-system song! Of course, it’s the full-length version, not the censored short single…”

“In my most recent column I reviewed the ProJect 2Xperience belt drive turntable with the supplied carbon fibre arm and an Ortofon Rondo Blue cartridge. I can report that the sound from it continues to delight. Although the financial outlay involved is far from chump change, it would be hard to think of a more worthwhile investment if you are at all inclined towards vinyl…”

“Part of the reason for the lapse is there hasn’t been much to write about until now except the music; and let me say I have heard some wonderful music as the year has progressed. My inspiration to share now can be spelled out in one word: v-i-n-y-l. I have a new turntable and cartridge. I had been listening, on a very occasional basis, to LPs on my Kenwood direct drive with a Fidelity Research FR64 arm and an Ortofon Kontrapunkt b cartridge. The sound I was getting from it was far from perfect, and I felt it should be replaced…”

“This album was a project of Concord records producer John Burk, who discovered the tapes from European concert dates in the Fantasy Records archive that contained these unreleased Norman Granz Pablo masters. Burk had spearheaded Ray’s last great recording project, Genius Loves Company (see below), and saw potential in the great vocals in otherwise unreleasable multitrack tapes…”

“Coaxial Ribbon LineSource models come in two versions. The LineSource Reference [floorstander] is suitable for front loudspeakers in medium to very large rooms with virtually no restriction on height as they are completely scalable. [In other words,] the LSRs are highly configurable and tuneable to allow the ideal match for room and listening requirements…”

“The artists featured in these two releases, consisting of 3 SACD multichannel/CD hybrid discs, comprise the Fry Street String Quartet, who came to these recording sessions with a string of awards and prizes in their young history. Winners of the Milennium Grand Prize at the Fischoff National Chamber Music Competition, the First Prize at the Yellow Springs Competition, and also receiving an award at the Banff International String Quartet Competition, the Fry Streeters have been a busy bunch. They’re currently in residence as the Faculty Quartet at Utah State’s School of the Arts…”

“The Kullervo Symphony was the first large orchestral work attempted by Sibelius. Based on a tragic and quite gruesome story from the collection of epic Finnish tales known as The Kalevala, the work was very successful at its first performance. The work is diffuse and rambling at times with definite echoes of Wagner and Tchaikovsky…”

What interested me in the discography of the Liddypool boys was the compilation done by George and Giles Martin for the Cirque du Soleil show LOVE (0946 379 1 1), which is also available in an incredible surround SACD that takes full advantage of the medium (My 10 Favourite Pop/Rock Surround SACDs are coming soon to this space). Here we have 4 superb stereo sides that reshape and reinvigorate many Beatles tunes…”

My decade-old Grado SR-125 headphones don’t owe me anything after all these years of monitoring recordings in progress, or offering wee-small-hours solace for insomnia. I had never liked the stock ear cushions, however, and had bought a pair of larger, deeper foam cushions from Strategic Audio Developments called upgradables that were much more comfortable (Attempts to Google this company were unsuccessful).

“After a couple of weeks with the “noo Radio Tiew”, I must say that I’ve never seen such a complete sabotage of a great radio service in my 45-year career as broadcaster and writer. Just about all the core values have been thrown away, starting with professionalism. Listening to these groping amateurs on the air takes me back to my days of running the Queen’s University radio station, CFRC, in the late 60s and early 70s…”

“I have to confess that in 2008 I’ve been very remiss in my music reviewing, and not for want of available recordings. There have just seemed to be too many other distractions, such as tuner and projector projects (the former in its final phase, and the latter just getting lit up, so to speak, with two reviews already posted), recording projects (two organ CDs with Ian Sadler), and numerous other activities, including grandchildren and the day-to-day running of AIG…”

“Hearing old favourites, now, on my Aurum Acoustics system is a very special experience.‭ ‬The excellence of the sound couples directly with the matter of artistic worth.‭ ‬I’m not saying the New Philharmonia was in my listening room,‭ ‬but,‭ ‬you get the idea.‭ ‬Neither had I realized how well recorded are both performances.‭ ‬The Mahler was recorded in Watford Town Hall in‭ ‬1969.‭ It’s simply stunning in its detail and transparency…”

In the past year I’ve gone through an experience I never expected, the process of moving from the best head amp I’d ever used to a series of transformers in my phono system. It all started with the final fate of my twice-retipped Ortofon MC-3000 MK II, which was to become mono, the left-channel coil failing. And the thing about this wonderfully civilized and detailed cartridge was its very low output, a nominal 30 microvolts, which dictated the active MC stage, the legendary McIntosh MCP-1…”